I'd
like to tell a fascinating tale about birds, and mimicry. The
Bellinger River Valley, my home, is between the Dorrigo Plateau
and the Pacific Ocean. It is the shortest coastal valley in the
State of New South Wales, or so I believe.
Around Dorrigo, which is about half an hour's drive from
Bellingen township, live some very remarkable birds, and these
birds have been memorialized in a ceramic mural at the entrance
to 2BBB, the district's volunteer-run, mud-brick, community
radio station. Below is my rather pathetic attempt at a
composite photo of it (click it to enlarge).
The middle panel contains a window that allows visitors to look
directly from the veranda into the broadcasting studio, and
allows studio interviewees, as I was yesterday, to see visitors
glancing or peering in. It's a great work of art by Pru Iggulden
of Bellingen.
The mural's incredible story
The mural tells a wonderful tale of these local birds, which are fantastic mimics of sounds. I copy this paragraph below, directly from the Wikipedia article (2007) on Australia's lyrebird:
"One researcher, Sydney Curtis, has recorded flute-like lyrebird calls in the vicinity of the New England National Park. Similarly, in 1969, a park ranger, Neville Fenton, recorded a lyrebird song, which resembled flute sounds, in the New England National Park, near Dorrigo in northern coastal New South Wales. After much detective work by Fenton, it was discovered that in the 1930s, a flute player living on a farm adjoining the park used to play tunes near his pet lyrebird. The lyrebird adopted the tunes into his repertoire, and retained them after release into the park. Neville Fenton forwarded a tape of his recording to Norman Robinson. Because a lyrebird is able to carry two tunes at the same time, Robinson filtered out one of the tunes and put it on the phonograph for the purposes of analysis. The song represents a modified version of two popular tunes in the 1930s: 'The Keel Row' and 'Mosquito's Dance'. Musicologist David Rothenberg has endorsed this information."
Ms Iggulden's mural shows the boy who
played the tunes on his flute, then the lyrebirds passing it to
each other down the generations, then the researcher
tape-recording the song from a modern bird, decades after it was
first learned by its ancestor, that one bird in the 1930s.
I have had since the 1980s a cassette tape
recording (which I was given by the man who recorded it,
Australian
Church of England
missionary,
Paul White,
Below is a recommended David Attenborough clip on the lyrebird
(Feedblitz
subscribers to this post from Wilson's
Blogmanac need to click the post headline to see the video):
The lyrebird appears on
the reverse of
Australia's ten-cent coin.
How often do we even notice? I hope that
every time I see a ten-cent coin, I will bring to mind the fact
that the precious lyrebird innocently mimics the sound of the
chainsaws that are destroying its habitat and might lead to its
extinction.
Two things to add: (1) the lyrebird gets his name from his
magnificent tail, which resembles a lyre; (2) the kookaburra,
mentioned in Attenborough's clip, is an Australian bird whose
laughter shows up in Hollywood movies, such as
Tarzan and other jungle
movies. Two days ago I heard a kookaburra in
Treasure of the Sierra Madre,
an old Bogart movie set in Mexico. Grrr!!! BTW, it's just called
kookaburra, with the first syllable rhyming with 'book', and
it's not known as 'the laughing kookaburra', as some overseas
websites assert. I like the name of my totem to be respected :).






















































